Doris Titze's body-sized drawings form a formal contrast to Angela Lubič's linear spaces. The artists have known each other and each other's working methods for many years. Now, for the first time, they are embarking on the experiment of a joint presentation.
What they both have in common is a high degree of abstraction in their drawings. Where Angela Lubič analyses spaces with her linear structures and dissects them down to a framework, as it were, Doris Titze layers rhythmic and sometimes suggestively spatial signs on the white paper with her gestural, often two-handed drawings.
Doris Titze's works, anthropomorphic in their dimensions and symmetries, bring the direct human reference back into Angela Lubič's site-specific constructive spatial grids. Presented one within the other, the result is an exciting coexistence of encounter, movement and communication between the fundamentally different lines: The surface becomes space and the space dissolves into a linear structure.