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KI generiert: Das Bild zeigt eine Galerie mit einer Installation aus schwarzen Linien, die sich über Wände und Boden erstrecken, sowie drei gerahmten Kunstwerken mit chaotischen schwarzen Linienmustern. Der Raum erzeugt einen dreidimensionalen Effekt, der die Grenzen zwischen Kunstwerk und Umgebung verschwimmen lässt.

Doris Titze and Angela Lubič

Amid the Lines — Space and Resonance. A cabinet exhibition in the project space »Neue Galerie«

11. Apr 3. Aug

Opening hours
Tue – Sun: 10:00 – 18:00
Fri: 10:00 – 19:00

14 June: 18:00 – 24:00
Museum night

24 & 25 Dec / 31 Dec: closed
1 Jan: 13:00 – 18:00
Admission
5 € per person | 4 € reduced
Friday from 12:00 free admission (except public holidays)

Free admission with the Dresden Pass and for children under 7, as well as other discounts

The life-sized drawings by Doris Titze stand in formal contrast to the linear spaces of Angela Lubič. The two artists have known each other and each other’s working methods for many years. Now, for the first time, they are engaging in the experiment of a joint presentation.

SGD LubicAngela Lubič, Planquadrat, 2018, Klebebänder, Leimfarbe, ehemaliges Kinderwochen-heim Eisenhüttenstadt. Foto: Ka Bomhardt, Angela Lubic | © VG Bild-Kunst, Bonn 2025
SGD Titze 6771 230x150 24 HellDoris Titze, o. T., 2024, Kohle auf Papier, 126 x 90 cm | Foto: © Doris Titze

Both artists share a high degree of abstraction in their drawings. While Angela Lubič analyses space through linear structuring, dissecting it down to a skeletal framework, Doris Titze layers rhythmic, at times spatially suggestive markings onto white paper using gestural, often ambidextrous drawing techniques.

Titze’s works—anthropomorphic in scale and symmetry—reintroduce a direct human reference into Lubič’s site-specific, constructivist spatial grids. Presented within one another, the result is a compelling interplay of encounter, movement, and communication between fundamentally different lines: surface becomes space, and space dissolves into a structure of lines.