The life-sized drawings by Doris Titze stand in formal contrast to the linear spaces of Angela Lubič. The two artists have known each other and each other’s working methods for many years. Now, for the first time, they are engaging in the experiment of a joint presentation.
Both artists share a high degree of abstraction in their drawings. While Angela Lubič analyses space through linear structuring, dissecting it down to a skeletal framework, Doris Titze layers rhythmic, at times spatially suggestive markings onto white paper using gestural, often ambidextrous drawing techniques.
Titze’s works—anthropomorphic in scale and symmetry—reintroduce a direct human reference into Lubič’s site-specific, constructivist spatial grids. Presented within one another, the result is a compelling interplay of encounter, movement, and communication between fundamentally different lines: surface becomes space, and space dissolves into a structure of lines.